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Read about the newest award to be added to the An Post Irish Book Awards
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THE PASSING OF TWO LITERARY LEGENDS
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Read about the newest award to be added to the An Post Irish Book Awards
It’s 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley – the writer, the bohemian, the woman who left her husband and sons to pursue a relationship with a married man in Dublin. But now Colette is back, and nobody knows why.
Returning to the community to try and reclaim her old life, Colette quickly learns that they are unwilling to give it back to her. The man to whom she is still married is denying her access to her children, and while the legalisation of divorce might be just around the corner, Colette finds herself caught between her old life and the freedom for which she risked everything. Desperate to see her children, she enlists the help of Izzy, a housewife and mother of two, and the women forge a friendship that will send them on a spiralling journey – one toward a path of self-discovery, and the other toward tragedy.
Brilliantly observed from a sharp new literary talent, The Coast Road is a novel about a closed community and the consequences of daring to move against the tide.
Alan Murrin is an Irish fiction writer based in Berlin. In 2021 he was the winner of the Bournemouth Writing Prize for his short story The Wake, which went on to be shortlisted for short story of the year at the Irish Book Awards. He is the recipient of an Irish Arts Council Agility Award and an Arts Council Literature Bursary. He is a graduate of the prose fiction masters at the University of East Anglia. His work was featured as part of the New Irish Writing series in the Irish Independent. His work has been shortlisted for the Irish Arts and Writers Festival short story prize, the New Irish Writing in Germany Prize, and he was longlisted for the 2021 University of Essex International short story prize. He writes for the Irish Times, Times Literary Supplement and Spectator. His writing on art and photography has appeared in Art Review and The White Review.
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